• May 20, 2010 •
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Posted in Design Documentation
Tags: alani, Alani Gaunt, America, AMERIKA: a notebook in three parts, Arcanum Productions, art, black and white, cinema, community based film, culture, design, experimental, film, gaunt, green filmmaking, history, identity, jacob coburn, Japan, jay nolan, likeness, make-up, makeup, makeup artist, Mika Johnson, museum, Oberlin College, ohio, process, progression, special effects, storytelling, sustainability, visual
• April 20, 2010 •
3 Comments
Posted in Design Documentation
Tags: acrylic nails, acrylic teeth, alani, Alani Gaunt, alginate, animalistic, art, bite, cinema, claws, cut, design, film, gaunt, hair, jacob coburn, lifecasting, make-up, makeup, makeup artist, masculinity, Oberlin College, paranoia, process, progression, prosthetics, psychological thriller, repression, scar, silicone, slit throat, special effects, storytelling, sweat, The Lone Wolf, thesis, two part mold, two part mould, violence, visual, werewolf
• April 20, 2010 •
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Posted in Design Documentation
Tags: alani, Alani Gaunt, art, Bette Davis, black and white, cinema, Cyborg Fiction, design, experimental, film, gaunt, Kim Novak, likeness, make-up, makeup, makeup artist, Natalie Greenberg, Now Voyager, Oberlin College, process, progression, special effects, storytelling, thesis, Vertigo, visual
• April 19, 2010 •
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Posted in Design Documentation
Tags: alani, Alani Gaunt, art, cinema, cut, design, Ellington Wells, film, gaunt, make-up, makeup, makeup artist, Oberlin College, process, special effects, storytelling, tattoo, thesis, Unspoken, visual
• April 18, 2010 •
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Posted in Design Documentation
Tags: alani, Alani Gaunt, cinema, cut, design, empty handed fists, film, gaunt, jason outenreath, makeup, makeup artist, Oberlin College, prison, process, special effects, storytelling, tattoo, thesis, visual
Makeup by Alani: Design and Process 